Chapati Mystery , November 18, 2012
The Indian elite’s reaction to Bal Thackeray’s death raises profoundly disturbing question, argues Rohit Chopra.
With news breaking earlier this evening of Bal Thackeray’s death, the movers and shakers of Indian society have been in overdrive as have been their lesser-known followers, minions, and acolytes on Twitter. The event is being milked for all it is worth by news organizations, corporate sponsors, assorted media personalities engaging in “me-too†memories, and political organizations trying either to generate political capital from it or, at the very least, seeking not to alienate some imagined Hindu/ Maharashtrian/ Mumbaikar voter sentiment by appearing too critical of Thackeray.
The world of Indian mediapersons, the political establishment, and the charmed circle of Indian celebrities have been expressing their shock and grief even as they have been marveling at Thackeray’s greatness. In perfect concert with one another, these three incestuously interconnected sectors of Indian society–which feed off and sustain each other–are colluding in a massive act of amnesia. The holy trinity of Indian elites is refusing to address Bal Thackeray’s culpability in the deaths of Hindus and Muslims in the 1992-1993 riots in Bombay, the lengthy record of Shiv Sena violence and threats against Tamilians, Gujaratis, and UPites, the Sena’s collusion with industrialists to break the backs of mill workers and unions in Bombay in the 1970s, the degradation of the political culture of Maharashtra and Mumbai, and the general destruction of the city’s cosmopolitan culture.
When these fundamental, defining aspects of Bal Thackeray’s life and career are acknowledged by commentators, they are immediately balanced–according to some spurious notion of journalistic objectivity, I suspect–by paeans to his personal charisma, political acumen, ability to gauge the pulse of the people, and so on. Or they are subsumed within larger narratives that efface or mitigate the violence. (He was good and bad / He was an enigma / He was sweet to me / He was a bundle of contradictions or a complex figure).
Rajdeep Sardesai’s tweets say it all:
Gave me an interview in 1988 as a cub reporter. Was generous with his time and thoughts. Offered me beer too! RIP #Balasahed [sic]
Tiger, Godfather, Mumbai icon, hero for many, villain for others. Balasaheb Thackeray RIP.
Most bizarrely from Sardesai, the suggestion that Mumbai might be shut today because of “respect†for Thackeray.
When Delhi netas die, a city doesn’t shut down out of either fear/respect. Mumbai does. What does that say? Gnight.
Anyone who has experienced any bandh in any Indian city knows that the cause is usually not some spontaneous expression of independently-felt love for a political leader or party that expresses itself in an act of collective intelligence or emotion like a flash mob performing “Gangam Style.â€
The Indian media prides itself on its independence, its critical eye, its ability to speak truth to power. Indian celebrities fancy themselves socially responsible intellectuals. Indian politicians routinely remind the world of the glorious vibrancy and dynamism of the “world’s largest democracy.†But neither the conventions of in-house obituary boilerplate nor the pithy wisdom of the tweets emanating from the finest minds in Indian media, celebrityhood, and politics have spoken today in any honest way about Thackeray’s role in one of most disgraceful episodes in the history of independent India–the pogrom against Bombay’s Muslim communities in 1992 and 1993. When they have pointed to Thackeray’s involvement, they have refused to ask the difficult but obvious questions that follow; questions about justice, rights, accountability, and rule of law, but also about tolerance, coexistence, and our responsibility to our fellow citizens.
The list of those participating in what can only be called a soft-pedaling of Bal Thackeray’s legacy, through this Fox News style “Fair and Balanced†approach, is a veritable who’s who of contemporary Indian political, social, and cultural life. The President and Prime Minister of India; politicians across parties; Sachin Tendulkar, Harbhajan Singh and other cricketers; any number of Bollywood actors, directors, and producers who queued up to meet him as he lay on his deathbed; and reputed journalists like Rajdeep Sardesai, Barkha Dutt, and Vir Sanghvi.
This is the real legacy of Bal Thackeray. To make political violence so routine that it ceases to outrage. To make the strategy of scapegoating and targeting particular ethnic, religious, or political groups part of the calculus of everyday politics. To make fear and intimidation a legitimate, accepted part of political leadership. And to constantly remind any potential critic, in media or otherwise, of the threat of violent reprisal for saying something that Thackeray and his thugs might not appreciate.
No less part of Thackeray’s legacy is the fact that the political establishment, world of Bombay celebrities, and mediapersons who fawned over him when he was alive as much as they are doing now appear to have quiescently accepted all of this. The curious insistence on journalists addressing Bal Thackeray as ‘saheb’ — imagine, for instance, an article beginning with the words, “Herr Hitler, responsible for the death of millions of German citizens†–merely reflects this legacy.
In recent years, observers on the political situation in Maharashtra have sometimes described the Shiv Sena as a spent force, one that was condemned to lose its long-term political battles because there was no coherent object that it was fighting for. But in all these other poisonous and alarmingly permanent ways there is no doubt that Bal Thackeray won.
The free pass given to Bal Thackeray today also tells us something about the pathologies of Indian life that produced and made Bal Thackeray possible: pathologies shared across those who identify as secular and those who rant against pseudo-secularists; pathologies that unite the South Bombay whisky-drinking, rugby-playing, Bombay-Gym types with Dadar Hindu colony sons-of-the-soil; pathologies that allow diasporic Hindu nationalists in Silicon Valley and Shiv Sena footsoldiers alike to believe that they are the victims of a secret cabal of Muslims, Marxists, and Macaulayites. Thackeray did not, then, come out of nowhere. He was not the creation simply of disaffected subaltern Maharashtrian communities or of middle-class Maharashtrian communities who felt outsiders had snatched what was their due. He represented something central in Indian political society–not an essentialist, ahistorical tendency but a historically produced capacity for using violence as a form of political reason, the absence of a coherent vision of solidarity that could respect similarity and difference, and the many deep failures of the postcolonial Indian state that our exceptionalist pieties about Indian tolerance, coexistence, and secularism often obscure.
And no, we do not need to be silent on any of this just because Bal Thackeray died earlier today. I doubt any Shiv Sainiks or Thackeray himself spent a minute thinking in silence about any Muslim killed in the 1992-1993 riots in which the Shiv Sena played a key role. As Vir Sanghvi’s article on Thackeray, posthumously anointing him the “uncrowned king of Mumbai†reminds us, Thackeray’s chief objection to Mani Ratnam’s representation of him in the film Bombay was that his cinematic alter-ego expressed regret at the riots.
It is a disgrace that Bombay is shut today. It is a disgrace that Thackeray is being wrapped in the national tricolor. It is a disgrace that he is being given state honors in his death. And it is a disgrace that none of our political leaders, celebrities, or media personalities seem to think any of this is a disgrace. And that if they do they are terrified of saying so.